This year's premiere U.S. tour by Paul McCartney's post-Beatles group was one of the best-attended and best-put-together concert jaunts ever mounted. McCartney is one superstar who instinctively understands the importance of adding entertainment to live musical appearances, and his painstaking mixes of tapes made all along the tour represent the many original programming concepts in this show. The three disks are packaged in a clever split double-pocket jacket with a poster taking up the fourth compartment. Just about all the great songs written by McCartney either for the Beatles or Wings can be found here in intensely performed versions that cleverly take maximum advantage of the excitement of playing before big arena audiences. One unique bonus found on this LP is Wings guitarist Denny Laine, original singer of the Moody Blues performing that group's early hit "Go Now," which was only in the show at LA. But McCartney live with this well-honed group is an endless fascination. He remains the ultimate pop-rocker whether singing with his solo acoustic guitar, driving the group with his bass, rocking full-out with the travelling horn quartet or riffling off piano arpeggios for his haunting ballads. No LP in the future is likely to deliver us this much of McCartney in so many effective settings. Best cuts: "Jet," "Band On The Run," "Magneto & Titanium Man," "Silly Love Songs," "Let 'Em In," "Blackbird," "Yesterday," "Live And Let Die," "Lady Madonna," "Listen To What The Man Said," "Long And Winding Road ," "Hi Hi Hi," "Richard Cory."
(Billboard, 1976)

For such an expensive, three-record concert souvenir, made by an artist as commercially astute as Paul McCartney, a consumer-conscious review seems appropriate. The Wings fan with all the studio albums, for instance, may find Wings over America a legitimate alternative; excepting the single side of acoustic material, these performances are rawer and more driven than the original recordings and, in many cases, much the better for it. "Rock Show" is placed in its natural habitat; "Magneto and Titanium Man" becomes more sinewy and sinister; "Time to Hide" is reborn and simply wonderful. "Soily," the encore original, is a perfect climax, one of the best fast songs McCartney has written. In other words, there is probably enough novelty here to make Wings over America worth owning. From the above, non-Wings fans -- particularly those who find them wimpy -- can infer that this is as good and tough as you'll get this particular band.
On the debit side, the acoustic set is unremittingly maudlin. Many of Wings' mediocre songs -- "My Love," "Listen to What the Man Said," "Silly Love Songs" -- successfully resist transcending mediocrity.
There isn't much stage patter; crowd noise is kept at an unobtrusive but effective level; the cover painting compares favorably to a witty James Rosenquist, but the poster inside is downright cheesy. Caveat emptor.
(Ken Tucker, Rolling Stone, 2/10/77)