Artist: Emitt Rhodes Title Of Album: The Emitt Rhodes Recordings Release Date: 1969-73/2009 Location: USA Label: Hip-O Select [B0012926-02] Genre:Pop Rock, Soft Rock Quality: FLAC (*tracks + .cue,log) Length: 02:17:58 Tracks: 48 Total Size: 825Mb(+3%)(covers) WebSite:discogs.com
Tracklist: ------- CD.1: The American Dream: 1-1 Mother Earth 2:30 1-2 Pardon Me 2:46 1-3 Textile Factory 3:05 1-4 Someone Died 2:04 1-5 Come Ride, Come Ride 2:54 1-6 Let's All Sing 2:44 1-7 Holly Park 3:00 1-8 Saturday Night 2:02 1-9 You're A Very Lovely Woman 2:53 1-10 Mary Will You Take My Hand 2:21 1-11 The Man He Was 2:58 1-12 In The Days Of Old 2:13 1-13 'Til The Day After 2:41 Emitt Rhodes: 1-14 With My Face On The Floor 3:09 1-15 Somebody Made For Me 2:27 1-16 She's Such A Beauty 2:24 1-17 Long Time No See 3:19 1-18 Lullabye 1:06 1-19 Fresh As A Daisy 2:55 1-20 Love Till You Die 2:48 1-21 Promises I've Made 3:24 1-22 You Take The Dark Out Of The Night 2:58 1-23 You Should Be Ashamed 2:42 1-24 Ever Find Yourself Running 2:38 1-25 You Must Have 2:11 CD.2: Mirror: 2-1 Birthday Lady 2:51 2-2 Better Side Of Life 2:38 2-3 My Love Is Strong 2:40 2-4 Side We Seldom Show 2:29 2-5 Mirror 2:48 2-6 Really Wanted You 2:43 2-7 Medley: Bubble Gum The Blues / I'm A Cruiser 4:43 2-8 Love Will Stone You 3:23 2-9 Golden Child Of God 2:44 2-10 Take You Far Away 3:07 Farewell To Paradise: 2-11 Warm Self-Sacrifice 3:47 2-12 See No Evil 3:48 2-13 Drawn To You 3:17 2-14 Blue Horizon 2:21 2-15 Shoot The Moon 3:37 2-16 Only Lovers Decide 3:07 2-17 Trust One More 2:41 2-18 Nights Are Lonely 2:36 2-19 Bad Man 2:53 2-20 In Desperate Need 3:18 2-21 Those That Die (From "Tame The Lion") 1:42 2-22 Farewell To Paradise 3:59 Non-LP Single 2-23 Tame The Lion 2:53
Personnel: --------- Featuring – Bill Reinhart (tracks: 1-1 to 1-13), Chuck Berghoffer (tracks: 1-1 to 1-13), David Cohen (tracks: 1-1 to 1-13), Dom Peak (tracks: 1-1 to 1-13), Don Randi (tracks: 1-1 to 1-13), Drake Levin (tracks: 1-1 to 1-13), Emil Radocchia (tracks: 1-1 to 1-13), Emitt Rhodes (tracks: 1-1 to 1-13), Gary Kato (tracks: 1-1 to 1-13), Hal Blaine (tracks: 1-1 to 1-13), James Leitch (tracks: 1-1 to 1-13), Jim Gordon (tracks: 1-1 to 1-13), Joe Porcaro (tracks: 1-1 to 1-13), Joel Larson (tracks: 1-1 to 1-13), John Guerin (tracks: 1-1 to 1-13), Larry Knechtel (tracks: 1-1 to 1-13), Lyle Ritz (tracks: 1-1 to 1-13), Michael Rice (tracks: 1-1 to 1-13), Pete Jolly (tracks: 1-1 to 1-13), Tom Reynolds (tracks: 1-1 to 1-13) Featuring [All Instruments, Vocals And Arrangements] – Emitt Rhodes (tracks: 1-14 to 1-25) Featuring [All Instruments, Vocals, Songs And Arrangements] – Emitt Rhodes (tracks: 2-1 to 2-10)
All thanks to original releaser
AllMusic Review by Tim Sendra Stacked back to back, the records made by Emitt Rhodes in the short time between 1969 and 1973 stand up as one of the great brief flashes of inspiration and greatness in pop-music history. The Emitt Rhodes Recordings 1969-1973 collects all four albums the singer/songwriter/musical wiz recorded over that period of time and adds one extra track (the 1973 single "Tame the Lion"). The set starts off with the album Rhodes recorded after his band, the Merry-Go-Round, broke up in 1969. The songs are a mix of newly written ones and Merry-Go-Round leftovers recorded with studio pros filling in for the band. Not surprisingly, the record is a little scattered-sounding, with some of the songs sounding like the Baroque pop that the MGR had mastered ("You're a Very Lovely Woman," "The Man He Was"), some are experiments in different styles (the calypso-tinged "Mary Will You Take My Hand," the folky "Textile Ranch"), and quite a few point toward the simple sound he soon crafted on his debut ("Let's All Sing," "Saturday Night," "Pardon Me"). That self-titled record from 1970 is the best of the bunch; in fact, it is one of the best pop records of the '70s, and sounds like what would have happened had Paul McCartney saved up his most emotionally powerful and melodically rich post-Beatles' songs and recorded them with Badfinger as his backing band. Each song sounds like it should have been a hit single, from the heart-breakingly direct "Long Time No See" or the deceptively jubilant breakup song "With My Face on the Floor," to the anthemic George Harrison-esque "Live Till You Die" or the rollicking "Fresh as a Daisy." The pacing, sound, and feel of the record are as near perfect as you could hope, and the most impressive feat is that Rhodes did everything on the record himself. It's truly a moment of genius that Rhodes found hard to repeat. His next album, 1971's Mirror, repeats the same basic formula as Emitt Rhodes but has fewer knockout songs, and there are some hard rock (on the title track) and blues (on "I'm a Cruiser") influences creeping in around the edges and scuffing up the perfect pop. Still, the album is filled with great songs like the rollicking "Birthday Lady," the rocking "Really Wanted You," and the bleak ballad "Love Will Stone You" that help make the record a solid and highly listenable follow-up.
By the time of Farewell to Paradise, though, the twin factors of pressure from the record company and Rhodes' increasing perfectionism led to his recording a melancholy, downhearted album that has far less pop and far more introspection in its soul. There is a newfound feeling of pain and hurt that suffuses Rhodes' vocals on songs like "Trust One More" or "Blue Horizon" that gives the record some real depth, and the less focused and more folky arrangements give the record more of a Van Morrison feel than a McCartney feel. It would be easy to view the record as a disappointment on pure pop terms, but as a statement of Rhodes' disillusionment and frustration, it totally works and actually could be considered a lost treasure of the singer/songwriter era. Hearing it in context of his previous work shows just how much Rhodes had begun to change, and it makes it even more of a loss that Rhodes basically walked away from his career at the age of 24. The Emitt Rhodes Recordings 1969-1973 is essential to any fan of late-'60s/early-'70s pop music and hats off to Hip-O Select for giving Rhodes the attention he deserves.
Code
Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 29. November 2019, 19:19
Emitt Rhodes / The Emitt Rhodes Recordings (1969 - 1973) CD 1
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Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track
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EAC extraction logfile from 30. November 2019, 10:29
Emitt Rhodes / The Emitt Rhodes Recordings (1969 - 1973) CD 2
Used drive : hp CDDVDW SN-208FB Adapter: 1 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
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